![]() The takeaway is that good men should get wise to that fact and stand up for themselves. Winner of the Audience Award in the Midnighters section at this year's SXSW, the film is another night-in-the-life scenario about a passive guy confronted by dangerous and irrational women, but it doesn't reflect on its premise for a second: the notion that women are crazy goes largely unchallenged. ![]() Nearly a de facto remake of After Hours, writer-director Trent Haaga's lively trailer-park thriller 68 Kill keeps the hostility and loses the self-deprecation, which turns it into an example of misogyny rather than an examination of it. Dunne's character may not be Travis Bickle or Jake La Motta, but he shares some of their regressive attitudes. Women prove his primary obstacle, trailed closely by Murphy's Law, but there's a measure of self-deprecation that frames their hostility, like the universe punishing Scorsese's put-upon hero for his failure to comprehend the opposite sex. Instead of the jealous brutes in Mean Streets, Taxi Driver, and Raging Bull, that film follows an ineffectual office drone, played by Griffin Dunne, as a hoped-for sexual liaison turns into a luckless, surreal night in New York City. ![]() When Martin Scorsese directed the nervy black comedy After Hours in 1985, it was both a catharsis and a reckoning, a means to reenergize himself after The King of Comedy flopped and address the hang-ups with women that united many of his characters. 68 Kill stars Matthew Gray Gubler as Chip, a hapless schmo who gets more than he bargained for after he and his girlfriend plan to steal $68,000.
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